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The piece on top, with the tetrahelixes, was my first one with oxidized sterling. I find it doesn't oxidize as dark as the copper does, at least using liver of sulphur. There may be other chemicals that make it darker if I decide I want that. For now this is OK. I felt I needed seed beads at the ends of the aluminum tubes, so I used them at the ends of the
silver tubes too. On the second piece, below, I used them just on the aluminum, not on the silver. As I was cutting the silver, I found I was seduced by how pretty the bright silver was, so for the second piece, I left it bright (also the dark blue and purple show up better against the bright silver). However, as a practical matter, I don't want to spend a lot of time trying to clean silver, so I think I'll mostly darken it. I've looked at a lot of Flora Book's work with silver tubes, and it's so beautiful it tempts me to do more with bright silver. I'll just have to see as I go along.
On the bottom piece you can see the advantage of cutting my own tubes. It's a simple chain of octahedrons. But a chain of octahedrons would normally form a straight line. In order to get the curve you need for a necklace I had to make the triangle on the outside edge longer than the triangle on the inside edge.
Here's where some trig would have come in handy in figuring out just how much longer, but I managed to figure it out with "lesser" math, and it came out right.
The bottom necklace is my favorite in this set, simple without being simplistic. It's elegant, but still a statement piece that is very wearable. Well dine Emilie.
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