Friday, August 28, 2020

Redoing things

 Since there's not a lot happening just now by way of sales (galleries mostly closed, shows cancelled) I've been spending some time redoing some older pieces.  Sometimes there'll be a piece that I almost like but something seems a bit wrong.  Often it takes me a while to decide just what it is that I don't like, or, once I figure that out, how best to fix it.  Sometimes it just takes a small tweak and sometimes a major redo.  Here is one of each:

When I made this pendant I had just figured out the square and circle (hexagon actually) shapes, and I've used them several times since.  So I liked the shapes, but I didn't quite like the shape of the pendant--too wide and flat, sticking out way beyond the chain. 

One of the recurring problems I have is that I make individual units, often not knowing just how I'll arrange them till after I've made several.  Then when I've decided I have to attach some sort of rings in the proper places as attachment points.  I could do this easily with open rings, i.e. ones that  aren't welded shut. But since I have thread at each joint, my worry is that a thread will find its way through the inevitable space where the 2 ends of the ring meet.  So I always want a closed ring.  But a closed ring has to be put in place as you're building the structure, and you often don't know where you'll want the

join to be.  In the first iteration I joined the shapes by putting a pair of tetrahedrons between them.  But that meant I had to join them at the places where the edge of the shape was a crosswise tube, not a point.  And that made the overall shape of the piece so long and wide. For the second version I came up with a way to join a point on the square to a crosswise tube on each circle and I like that better.


The second redo was a complete rethinking. I've always liked the colored piece shown first.  But it had some problems.  The colored tubes, which are anodised aluminum, are quite a bit bigger in diameter than the silver ones, and I've always felt that those bigger openings at the end of each tube were a problem.  Early on, my solution was to put a seed bead at the end of each tube and treat the bead-tube-bead as a single unit.  However, that triples the joints, and creates that many more places where if the thread tension is just a bit off the piece gets looser.  In general that method tends to make the structure much less firm.This piece has been around for a few years, and there were starting to be places where you could see thread between ajacent beads in a way I didn't like.The other problem is the structure puts a lot of  "stuff" at the back of your neck.  I used to be quite rigid about maintaining a structure all the way around the back, which can make them harder to wear, especially when, as here, the structure is relatively wide and flat.  A rounder shape going around the back works better.

The problem I had, though, is is that without the seed beads at each end,the colored tubes were too short to make octs that wouldn't zigzag, and I wanted them to run straight.  And I can no longer get those aluminum tubes, so I couldn't cut longer ones.  I could have cut a whole set of silver tubes in custom lengths to make the existing colored tubes work.  Instead I redid the whole thing in RAW and eliminated the color.  While I was at it I made the arrow heads more pronounced, added an extra arrow, and made the necklace one unit narrower and the back more wearable.  I like it  a lot, but I still miss the color, and I'm working on a way to do the new design in octahedrons with color.  More on that later.

Thursday, August 6, 2020

What I'm doing now


     Like the rest of you, I'm still home, still experimenting with jewelry structures. I'm still playing with the tetrahedron structure I talked about earlier.  The piece on the right in the picture above is one I showed in my original group of these structures a few months ago.  I liked it, but felt that the central tet, which is built from an octahedron and 4 tets, didn't show up as well as it might have. So I redid it, using gold filled tubes for that center tet, and making it a bit curvier.  Actually I like them both.  I tend to think of pieces with the gold filled tubes as being a bit dressier, so there's a place for both.
     There have been a few happenings in my jewelry making life that I wanted to mention:

            My work is now available online through Contemporary Craft, in Pittsburgh.  The gallery is closed, but there's a good selection online at contemporarycraftstore.com.

            I'm really excited to have been accepted to the Philadelphia Museum of Art Craft Show.  The show is the first week in November, and it too will be online, and you will be able to see and buy work there. 
          
Another new gallery is Wearever Jewelry in Alexandria, VA.  My work is not yet on their  website, but they're open if you're in the area, and I'm sure if you contacted them you  could also buy it online.

            I'll have work in an online show Uncommon Threads on October 18.  It's run by the Fine Line Art Center in St Charles IL. You can find out more at fineline.com

Finally I thought I'd just let you know that these tet structures aren't the only thing I've been doing, jewelry-wise.  Since they're mostly pretty planned and controlled, I had great fun with a necklace that's the opposite of that.  Here's that one. I'm really proud of it.